When he asks her to destroy the one thing she truly wants... As his dying wish. Belinda Bembridge's perfect life falls apart when her perfect husband, Kwame, is struck down at the side of a dirt road. And on his deathbed, he asks her to do the unthinkable. How can she say no when it's Belinda's fault Kwame is dead? As she is about to grant his final wish, Belinda discovers that her husband is far from perfect. And with the help of Ryan Carlson, a man with his own struggles, Belinda goes in search of the truth, only to find the very thing she desires. Unpredictable and heart-wrenching Real and messy His Last Wish, book 2 in the Sapodilla Resort & Spa standalone series, is the story of a woman desperate for the one thing she truly wants but had denied herself.

Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own. Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness.

The essential coming-of-age novel by Jamaica Kincaid, Annie John is a haunting and provocative story of a young girl growing up on the island of Antigua. Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood. Annie's voice―urgent, demanding to be heard―is one that will not soon be forgotten by readers. An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

Jamaica Kincaid's At the Bottom of the River ... inspired, lyrical short stories Reading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision. Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.

In this sweeping, allusive novel, the celebrated poet, dervish, and oral storyteller Tawhida Tanya Evanson comes to terms with what it means to stand on one’s own two feet in an uncertain world. The acclaimed Antiguan-Canadian artist traces a global journey from Vancouver to the United States, Caribbean, Paris, and Morocco as a relationship with her lover and travel partner disintegrates and she finds herself on a path toward personal discovery and spiritual fulfillment that leads her deep into the North African landscape.

Bothism is an experimental Sufi text. It is both sorrow and joy, day and night, content and form, dot and circle, the threshold between worlds. It moves from unity to multiplicity and back again exploring that which can be split and reunited: a cell, a relationship, society, faith, time, words on the page. It posits that if one thing is true, then the opposite must also true, and when asked to choose, the poet's answer is always both.

The coming-of-age story of one of Jamaica Kincaid's most admired creations--newly available in paperback Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple--handsome, rich, and seemingly happy. Yet, alomst at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is. At the same time that Lucy is coming to terms with Lewis's and Mariah's lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character possessed with adamantine clearsightedness and ferocious integrity--a captivating heroine for our time.

The story of an ordinary man, his century, and his home: "Kincaid's most poetic and affecting novel to date" (Robert Antoni, The Washington Post Book World) Jamaica Kincaid's first obssession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who committed suicide, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters―one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy. In Mr. Potter, Kincaid breathes life into a figure unlike any other in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.